Nolan wins his 1st Oscar, best actress goes to Emma Stone
Cillian Murphy, the veteran Irish actor whose titanic performance as J. Robert Oppenheimer centered one of the year’s most acclaimed films, also won best actor.
AP
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In his acceptance speech, Nolan noted cinema is just over a hundred years old. PHOTO: AP
LOS ANGELES (AP), 11 March
The most closely
watched contest of the Academy Awards went to Emma Stone, who won best best
actress for her performance as Bella Baxter in “Poor Things.”
In what was seen as the night’s
most nail-biting category, Stone won over Lily Gladstone of “Killers of the
Flower Moon.” Gladstone would have become the first Native American to win an
Academy Award.
Instead, Oscar voters couldn’t
resist the full-bodied extremes of Stone’s “Poor Things” performance. The win
for Stone, her second best actress Oscar following her 2019 win for “La La
Land,” confirmed the 35-year-old as arguably the preeminent big-screen actress
of her generation. The list of women to win best actress two or more times is
illustrious, including Katherine Hepburn, Frances McDormand, Ingrid Bergman and
Bette Davis.
“Oh, boy, this is really
overwhelming,” said Stone.
Christopher Nolan won best director
at the Academy Awards for his blockbuster biopic “Oppenheimer,” a long-awaited
coronation for arguably Hollywood’s preeminent big-screen auteur.
Nolan has had many movies in the
Oscar mix before, including “Inception,” “Dunkirk” and “The Dark Knight.” But
his win Sunday for direction is the first Academy Award for the 53-year-old
filmmaker.
In his acceptance speech, Nolan
noted cinema is just over a hundred years old.
“We don’t know where this
incredible journey is going from here,” said Nolan. “But to think that I’m a
meaningful part of it means the world to me.”
Cillian Murphy, the veteran Irish
actor whose titanic performance as J. Robert Oppenheimer centered one of the
year’s most acclaimed films, also won best actor. It’s the first Oscar for
Murphy, a longtime Christopher Nolan regular handed a rare leading role in
“Oppenheimer.”
“For better or for worse we’re all
living in Oppenheimer’s world so I would really like to dedicate this to the
peacemakers everywhere,” said Murphy.
Protest and politics intruded on an
election-year Academy Awards on Sunday, where demonstrations for Gaza raged
outside the Dolby Theatre in Los Angeles, and awards went to “Oppenheimer,”
“The Zone of Interest” and “20 Days in Mariupol.”
Sunday’s broadcast, hosted by Jimmy
Kimmel, had plenty of razzle dazzle, including a sprawling song-and-dance
rendition of the “Barbie” hit “I’m Just Ken” by Ryan Gosling, with an assist on
guitar by Slash. A sea of Kens swarmed the stage.
The lead winner, as expected was
“Oppenheimer,” the blockbuster biopic. Though not quite the clean sweep that
some expected, “Oppenheimer” was overpowering all competition — including its
release-date companion, “Barbie” — winning awards for its cinematography,
editing, score and Robert Downey Jr.'s supporting performance.
Downey, nominated twice before (for
“Chaplin” and “Tropic Thunder”), notched his first Oscar, crowning the
illustrious second act of his up-and-down career.
“I’d like to thank my terrible
childhood and the academy, in that order,” said Downey, the son of filmmaker
Robert Downey Sr.
“Barbie,” last year’s biggest
box-office hit with more than $1.4 billion in ticket sales, didn’t win an award
until almost three hours into the ceremony. It won best song (sorry, Ken) for
Billie Eilish and Finneas’ “What Was I Made For?” It’s their second Oscar, two
years after winning for their James Bond theme, “No Time to Die.”
But after an awards season that
stayed largely inside a Hollywood bubble, geopolitics played a prominent role.
Protests over Israel’s war in Gaza snarled traffic around the Dolby Theatre in
Los Angeles, slowing stars’ arrival on the red carpet and turning the Oscar
spotlight toward the ongoing conflict. Some protesters shouted “Shame!” at
those trying to reach the awards.
Jonathan Glazer, the British
filmmaker whose chilling Auschwitz drama “The Zone of Interest” won best
international film, drew connections between the dehumanization depicted in his
film and today.
“Right now, we stand here as men
who refute their Jewishness and the Holocaust being hijacked by an occupation
which has led to conflict for so many innocent people, whether the victims of
October the 7th in Israel, or the the ongoing attack on Gaza, all the victims,
this dehumanization, how do we resist?”
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